Dalton Ghetti: tout est dans les détails


Je suis absolument sans voix. Mes yeux n’arrivent pas à croire ce que je vois!! Dalton Ghetti sculpte des crayons de plomb. Un art minuscule avec une précision infinie. Prenez le temps de lire ce qu’il avait a dire au Telegraph à propos de son art.

The 49 year old said: « At school I would carve a friend’s name into the wood of a pencil and then give it to them as a present. Later, when I got into sculpture, I would make these huge pieces from things like wood, but decided I wanted to challenge myself by trying to make things as small as possible. I experimented sculpting with different materials, such as chalk, but one day I had an eureka moment and decided to carve into the graphite of a pencil »

Dalton uses three basic tools to make his incredible creations – a razor blade, sewing needle and sculpting knife. He even refuses to use a magnifying glass and has never sold any of his work, only given it away to friends. He said: « I use the sewing needle to make holes or dig into the graphite. I scratch and create lines and turn the graphite around slowly in my hand »

The longest Dalton has spent on one piece was two and half years on a pencil with interlinking chains. A standard figure will take several months. He said: « The interlinking chains took the most effort and I was really pleased with it because it’s so intricate people think it must be two pencils »

When Dalton, from Connecticut, USA, first started he would become frustrated when a piece would break before being finished after he had spent months working on it. He said: « It would drive me mad when I would be just a bit too heavy handed and the pencil’s tip would break. I would get very nervous sometimes, particularly when the piece was almost finished, and then I would make a mistake. I decided to change the way I thought about the work – when I started a new piece my attitude would be ‘well this will break eventually but let’s see how far I get. It helped me break fewer pencils, and although I still do break them, it’s not as often »

Dalton, who is originally from Brazil, has a box full of more than 100 sculptures that have broken while working on them that he affectionately calls ‘the cemetery collection’. He said: « I have quite a few broken pieces so I decided to glue them on pins and into styrofoam for a display case. People might think it’s weird I keep them but they’re still interesting. I worked on them for months so they might be dead now but at one point I gave them life. »

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